雕像也会死亡剧情简介
《雕像也会(🐽)死亡(wáng )(📼)》（Les statues meurent aussi，阿兰(lán )·雷乃、克里斯·马(⏬)尔凯，1953年出品，27分钟）尖(jiān )锐地批(pī )评了西方殖民(mín )主义对(🛹)非(🚉)洲(zhōu )传统艺术的戕(🎿)害(hài )以(yǐ )(🥞)及(jí )自称热爱非洲艺术的上(🥀)等(děng )阶层(😱)的贪婪与(💞)伪善。本片的(de )主角是来自黑非洲(zhōu )的人(rén )(🔢)物雕像(🦗)、面具和(㊗)其他非洲(🗞)艺术品，但是它(🙌)们的演(yǎn )出场(㊙)所并非黑人的(de )(🎾)故(⏰)乡，而是白人(rén )(👃)的(de )欧(ōu )洲，艺术(⛳)品市场和艺(🏯)术品拍卖会是它们频频出没(méi )(🌮)和滞留的中(❕)转地(💹)。这些本(běn )(🍑)来(lái )被(bèi )非洲部(🐾)族用来抵(dǐ )抗(kàng )死亡的面具和雕像(🃏)，如今却呆在(📟)博物馆的橱窗里静静(jìng )地(🈺)死去。此(😙)时，画外音告诉我们(men )：“当人(rén )死去的(🏃)时候，他便进入(🔙)了历史(shǐ )；(🆙)当这些雕像死去的时(shí )候，它(🍁)们进入了(le )(😳)艺(yì )术；这种(zhǒng )关于死亡的学问，我们最(zuì )(📬)后称之为文(😉)化。”由于本(❄)片具有鲜(xiān )明而强(🈳)烈的社会批(🌲)判(pàn )意识，自拍竣之日起即遭(🏡)到法国政府禁映，直到1963年才(cái )解禁。本片由长于剪(jiǎn )(🏖)辑的(🐸)阿兰·雷乃操刀剪辑，由(🏁)强于(😻)写(xiě )作的克(kè )里斯(🐑)·马尔凯撰(zhuàn )写解说(shuō )(⛱)，充(🖥)分(📸)发挥了两人(rén )(🎇)各自(🌶)的强项，可(kě )谓强强合作的结(jié )晶(jīng )(❗)。
This collaborative film, banned for more than a decade by French censors as an attack on French colonialism (and now available only in shortened form), is a deeply felt study of African art and the decline it underwent as a result of its contact with Western civilization. Marker's characteristically witty and thoughtful commentary is combined with images of a stark formal beauty in this passionate outcry against the fate of an art that was once integral to communal life but became debased as it fell victim to the demands of another culture.
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